Browse All Charts (full alphabetical listing)
currently 97 charts featured, most with full demo tracks
Guide to notes below chart titles:
(description), (SA parts/TB parts) + (male/female solo), (top soprano note), (bottom bass note), (rthm section notes)
Ain't Too Proud to Beg - (IV)
Updated Motown, 3/3+solo, High A, Low E, written piano + bd, dr
Always - (III)
Epic Folk-pop-jazz, 2/3+f, High Eb in staff, Low Gb, composite rthm chords
Angel - (IV)
Sarah McLachlan 3/4 ballad, 3/2+f, High D in staff, Low C in staff, chord chart piano, bs/dr, cello (optional, but recommended)
April in Paris - (III)
Elling groove, 3/3+m, High F in staff, Low D in staff, chord chart piano, bs/dr
Because (II)
Beatles/Across the Universe soundtrack, 2/2, High B in staff, Low Eb in staff, a cappella plus cello (can be played by piano)
Brand New Day - (III)
Sting 12/8 big solo, 3/3+m, High A, Low Eb (opt D), a cappella
Bohemian Rhapsody - (IV)
A little crazy, 3/3+f+m, High Bb, Low E, 1/2 written, 1/2 chord chart piano, bs/dr
But Beautiful - (IV)
Lush ballad, 4/4+m or f, High Bb, Low B in staff, chord chart piano, bs/dr, opt. 3 tpt, a.s., 2 tbn
Caramel - (III)
Chiara Civello sultry, 3/3+f, High F in staff, Low Ab in staff, chord chart piano, bs/dr
Carol of the Bells - (III)
Bird and the Bee reharm, 3/3, High B, Low E, 1/2 written, 1/2 chord chart piano, written bass, dr
Cheesehead - (IV)
Big band wordless up swing, 2 choirs (2/2 & 2/2), High F in staff, Low C in staff, 1/2 written, 1/2 chord chart piano and bass, dr
Christmas Time is Here - (IV)
Charlie Brown Classic with a groove, 3/3, High E in staff, Low Db, a cappella
The Closer - (IV)
Metheny style wordless original, "gospel" finish, 3/3+mf duet, High D, Low D, chord chart piano, gt, written bass, dr
Compared to What - (IV)
Jarreau/McCann classic, 3/3+m, High G, Low D in staff, chord chart piano, gt, bs, dr
Copacabana - (III)
Disco removed, Latin added, 3/3+m/f, High Eb in staff, Low F in staff, 1/2 written, composite pn/gt/bs, dr, +perc. supplement
Detour Ahead - (V)
Harmonically adventurous ballad, 3/3+f, High F in staff, Low Eb, a cappella
Don't Be On the Outside - (III)
Shirley Horn swingin' blues, 3/3, High F, Low Db in staff, 1/2 written, composite rthm
Don't Explain - (III) (Available in SATB and SSAA)
Funky retelling with lots of attitude
Don't You Worry 'Bout a Thing - (II)
Quirky Stevie Wonder classic
Emily - (IV)
4/4 swinging version with original vocalese
Esperanto - (IV) (SATB and SSAA versions available)
Gorgeous Vince Mendoza tune with deep Kurt Elling lyric
Fly Me to the Moon - (II)
Combines Astrud Gilberto and Frank Sinatra
A Foggy Day - (II) (TTBB)
Hi-Lo's-sounding samba
Footprints - (V)
Burning and intense
For Jan - (V)
Julia Dollison chart on the Kenny Wheeler/Norma Winstone song
Fragile - (IV)
Sting hit totally reworked
Gentle Piece - (IV)
Kenny Wheeler big band piece for vocals with Dollison lyric
Headlock - (IV)
Imogen Heap hit
Here I Am, There I Go - (IV)
Lilting and interesting J.D. Walter tune
Here to Stay - (III)
Pat Metheny tune grooves
Hide and Seek - (IV)
The popular Imogen Heap vocoder piece transcribed
His Eye is On the Sparrow - (IV)
Somewhat Take 6-inspired
Home - (III)
Zero 7 electronica meets vocal jazz
How to Disappear Completely - (III)
Radiohead tune from "Kid A", dark and intense
I Love You - (IV)
Cole Porter classic with contempo twist
I Want You Back - (IV)
Jackson 5 hit updated
Impressions - (V)
Coltrane modal tune with added changes and half-time funk
In a Mellow Tone - (IV)
'Pedaling' dark reharm by Dollison
In the Winelight - (III)
Based on Elling's version of the Grover Washington Jr. tune
In This Time - (III)
Marsh original evoking wonder at the cosmos
In Your Eyes - (V)
Based on Dianne Reeves' version of the Peter Gabriel tune
It Don't Mean a Thing (If It Ain't Got That Swing) - (IV)
Funky Dr. John treatment..."Choo-wah!"
It's You - (II) (SSAA)
Cool Kitty Margolis tune for girls groups
Juju/Footprints - (V)
Crazy Gretchen Parlato/Lionel Louecke interpretation made a cappella
Just For Now - (III)
Imogen Heap, version inspired by her live looping recording
Lady Bird - (V)
Straight ahead bebop with a killer soli
Lee's Summit - (IV)
Pat Metheny tribute, similar to PM Group sound
Little Sunflower - (V)
Inspired by Mike Tomaro big band arr.
Lost at Sea - (V)
Dollison original moody piece
Love Dance - (III)
Ivan Lins ballad
love is more thicker than forget - (IV)
Jonatha Brooke interesting composition with e.e. cummings lyric
Midnight Voyage - (V)
Dark swing chart w/ Michael Brecker solo vocalese
Mind Trick - (III)
Light, fun Jamie Cullum tune
Minuano - (V)
Metheny classic with Elling lyric, includes middle marimba section
More Than Words - (IV)
Extreme song from the 90s, reworked for modern vocal jazz
My Better Half - (IV)
Fun Bobby McFerrin original funk chart
Never So In Love - (IV)
Marsh original with lush chords and open middle section using a Neruda poem
Ngiculela-Es Una Historia-I Am Singing - (II)
Stevie Wonder uplifting tune
Night and Day (TTBB) - (III)
Fairly straight ahead swing with close harmony and a cool vamp
Ordinary World - (III)
Duran Duran tune twisted and Latin'ed up a bit
Pale Blue Dot: Part 1 - We Live Here - (V)
Progressive vocal jazz harmony and rhythms
Pale Blue Dot: Part 2 - Sacred Black (V)
Instrumental solo feature with dark aggressive vocal chords
Pale Blue Dot: Part 3 - When the Night is New (V)
Moving wordless ballad
Pale Blue Dot: Part 4 - Wanderers (V)
A wordless artistic vocal jazz journey
Pegasus - (V)
Kenton Band afro-cuban 6/8 piece by Levy
Please Come Back (To Stay) - (III)
Tower of Power 12/8 soul ballad
Prelude to a Kiss - (III)
Simple, lush, beautiful treatment based on Keith Jarrett interp.
Quadressence - (V)
4/4 reworking of the beautiful "Quintessence" for Kenton band
Sakura - (II)
Medium jazz waltz, aggressive feel, nothing to do with cherry blossoms, but fun
Samba do Cantor - (III)
Flora Purim grooving samba in Portuguese
Scarborough Fair - (IV)
Unique, pretty harmonic approach to the folk tune
The Seekers (Prince of Darkness) - (V)
Wayne Shorter composition for Miles Davis, up swing with soli
Selfless, Cold and Composed - (V)
Ben Folds tune, arrangement featured on Folds' College A Cappella album
Seven Steps to Heaven - (IV)
Somewhat creepy and highly disguised arrangement
Show Me the Money - (III)
Buddy Guy tune, like a trip to a blues bar!
Silent Night - (V)
Lush, reverent and moving with highly extended jazz harmony
Sing a Song of Song - (III)
Kenny Garrett's catchy and beautiful modal composition
Sketch 8 - (V)
Wonderful Vince Mendoza big band piece set for voices
Slow Me Down - (III)
Emmy Rossum song, mostly a transcription
So Nice - (II)
Jobim bossa featuring a string quartet
Someday My Prince Will Come (SSAA and SATB) - (III)
Light and lovely jazz waltz with subtle reharm
Song for the Traveler - (III)
Trance-inducing ostinatos, unusual and interesting
The Song is You - (III)
Dollison fun samba arrangement
Star Spangled Banner - (III)
Marsh-style reharm on the national anthem
Strange New World - (IV)
Original moving story of overcoming personal obstacles
Sun Goddess - (II)
Earth, Wind and Fire classic
That Old Black Magic - (III)
Varying feels and cool reharm
Thinkin' About Your Body - (III)
Blown-up ensemble version of McFerrin hard grooving solo voice piece
Three Blind Mice - (IV)
Playful and jazzy take on an unlikely tune
Thriller - (IV)
Michael Jackson pop classic
Travels - (IV)
Metheny folk/country-ish tune with sweet Dollison lyric and a cappella interlude
Uninvited - (IV)
Alanis Morisette chart shows you the door in no uncertain terms
Virtual Insanity - (III)
Jamiroquai funk hit
Walk With Me, Lord - (IV)
Based on Lizz Wright's version
West Point - (III)
Jonatha Brooke pretty and sad pop tune
Where I Belong - (III)
Kurt Elling sweet, light tribute to a special lady
Widow's Walk - (III)
Rick Margitza composition, Dollison lyric, based on Gailey big band chart